Mary Ogle – Coloring Books for Grown-Ups – Book Cover Design – Blogger – Podcaster

THE WHISPER AND THE SHOUT:
WHAT WOMEN ARTISTS MEAN TO ME 

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My friends at Patience Brewster  are celebrating Artist Appreciation Month and that has me thinking about the the many women artists who influenced me and what they’ve taught me. Patience is well-known for her finely crafted whimsical ornaments and every time I see one I’m inspired by her creativity. Every work a female artist makes is a building block in a network of creative women that extends back to the beginning of recorded history. Women have always been a part of the artistic landscape, though they are often bullied and targets of erasure from our cultural conversation.

Women artists are part of an invisible tribe. They exist in defiance of a culture that denies their voices and belittles their stories. Their accomplishments are marginalized, often dismissed as “craft” as if building something both beautiful and useful were a bad thing. They are branded with labels like “sentimental” because they dare to speak of emotional connection. The women artists of today owe much to the ones who came before – who persisted in the wake of bigotry and violence and fear to insist that their vision be honored and recognized. I write this to pay tribute to the bold and brave female creative spirits that influenced me on my own artistic journey.

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JESSIE WILCOX SMITH was a prolific illustrator of the late 19th, early 20th century. She created exquisitely detailed drawings and paintings for magazines, advertisements and books. Her portraits of women and children in domestic life resonate with tenderness and affection. The fairy tale stories she illustrated are greatly enhanced by her evocation of joy and wonder. Her use of color is spare and delicate and balanced. She taught me harmony and attention to the nuances of light and shade.

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REMEDIOS VARO was a Spanish surrealist painter of the early to mid 20th century. Her work is characterized by its sense of uneasy absurdity and dream-like quality. Her figures often blend into the fantastic landscapes and backgrounds they are set in. Remedios was well aware of society’s attempts to devalue the creativity of women. Yet her persistence in creating and sharing her vision leaves us with a legacy of finely drawn, industrious figures existing in worlds of pure imagination. She taught me not to fear to travel to places beyond our limited physical perception. I learned from her that the value of color is not in its visual quality but in the emotion it promotes.

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KÄTHE KOLLWITZ was a German painter, printmaker and sculptor who worked during the late 19th to early 20th century. I was introduced to her through an ex-partner of mine who was lucky enough to have an original print of this remarkable woman’s work. I still recall with vivid memory the aching line of that piece – the sheer emotional vulnerability that was caught and released by deliberate marks on fragile paper. Gazing at Käthe’s prints leaves you feeling raw and exposed. They are devastating in their refusal to back away from the horror of grief and war. Käthe taught me honesty. From her I learned to be ruthless with my creative expression and how to channel my frustration and anger in ways that would illuminate rather than mock.

These are only three of the many brilliant women artists that have contributed to and continue to extend our cultural identity. I urge you to seek out more of their work and to lend your own voice to the discussion. As women artists it is up to us to step out of our hiding places and take our positions upon the stage. Don’t be afraid to share your vision. You never know who might be inspired by your creativity and given the courage to tell their own story.

FIND OUT MORE ABOUT AND SUPPORT WOMEN ARTISTS:

American Women Artists https://americanwomenartists.org/

National Museum of Women in the Arts http://nmwa.org/explore

Advancing Women Artists Foundation http://www.advancingwomenartists.org/

Mary Ogle is an artist, writer and podcaster. After attending the Rhode Island School of Design and Art Center College of Design, Mary emerged with a solid grounding in the traditional techniques of oil painting. Not satisfied with the inherent limitations of brush and canvas, she stumbled upon the fascinating world of computer graphics. Working as a professional artist in the digital medium, Mary’s commissions have included everything from fine art to fan art, book layout and cover design, event posters and magazine illustration. Mary’s love for writing is more recent but no less heart-felt. She is the author of Orangeroof Zoo a story based in fantasy / magical realism combined with intricately drawn coloring book pages. Her tv show reviews and articles on geek culture can be found at esopodcast.com and whataculture.com. Mary currently finds inspiration in the Ojai Valley, residing in a snug little cottage with a recalcitrant cat. Find out more about Mary at maryogle.com.

 

 

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As a child some of my most treasured possessions were coloring books. My grandmother had a whole drawer of them and every time we visited I spent happy hours turning black and white pages into worlds of vibrant color. I had no idea, however, that coloring books for adults were so popular until I stumbled upon a blog post about self publishing that mentioned the trend. I was so happy! Coloring my own drawings is one of my favorite things to do and learning that other adults still enjoyed that kind of thing was fantastic. I started to wonder what it would be like to craft a book of my own artwork that people could color.

The truth is I love collaborating. Some of the most fulfilling moments of my life were working on larger projects that wouldn’t exist without the skill and input of other people. The idea of creating something that other people would then take and add their own creative flair to just wouldn’t leave my head. So I sat down and started drawing.

I decided to choose a subject I especially love. I’ve been drawing animals since I was 3 years old and I’ve never really stopped. But something happened as I made my way through the pictures. They began to tell a story. I suddenly had these characters in my head speaking back and forth to each other and I couldn’t resist writing down what they were saying. I was still crafting a coloring book but now each drawing became another peek into the mysterious world of L and Z. The best thing is that the story is only complete when the reader adds their own personal touch by coloring the pictures. Each book will be different, not only telling L and Z’s story but that of the colorist as well.

Orangeroof Zoo: A Chronicle for Colorists can be found on Amazon.

There is also an ebook version.

I hope people share with me some of the pages they have colored. I would love to see what others create.

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“Often what attracts me to a book is the cover. Of course then I read a little to see if I like the writing. These are beautiful and would definitely make me want to pick up the book. Great work!!” – Debbie P.
 
 
artSlideArt: 20+ years experience in fine art, illustration and graphics
 
 

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